The Essential Guide to Irish Flute and Tin Whistle Malcolm Dalglish & Grey Larsen

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Description

Morceaux

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Figure 1-1: The Seven So Called Church Modes (Concertina)

Figure 19-16: The Beginning of a Basic Version of the First Part of the Hornpipe 'The Rights of Man

Figure 19-19: The First Part of 'Jimmy Ward's Jig', With Tasteful Melodic Ornaments That Make Use O

Figure 1-2: Comparison Between the Ionian and Mixolydian Modes and Theaeolian and Dorian Modes (Fl)

Figure 1-4: Examples of the Two Pentatonic Modes Found in Irish Music (Flute)

Figure 19-20: The First Part of 'Jimmy Ward's Jig', With Melodic Ornaments That Interfere With The

Figure 20-1: The First Two Parts of the Reel 'the Gravel Walk', Showing Possible Single and Double

Figure 1-5: The First Part of 'Turtle's Reel' In D Dorian (Concertina)